The Mosireen Collective
Born out of the revolution, the non-profit media collective, Mosireen, have captured a multitude of extraordinary insights into the political atmosphere in Egypt through their avidly followed video blog. They have energetically supported the explosion of citizen journalism and cultural activism that continues to play a key role in envisioning Egypt’s future.
Situated in downtown Cairo, the Mosireen Collective was founded in the wake of Mubarak’s overthrow by a group of film makers, citizen journalists and activists with the ambition of creating a collective space dedicated to supporting citizen media of all kinds. The government news agencies cannot be relied upon, inevitably acting as propaganda in an attempt to cajole public opinion, and even the independent media in Egypt, privately owned, has its own agendas and interests to protect when representing the revolution. Whilst none of the Mosireen founding members are journalists by profession (they work in a range of other fields, from urban planner to visual artist and from graphic designer to mechanic) they each recognised the importance of the independent media emerging out of the revolution. Refusing to rely on local or even the international press coverage, the Mosireen Collective saw the importance of providing the tools of media journalism to as many people as possible in order to facilitate a range of alternative perspectives. Mosireen’s media centre is a community-supported space, and although professionals also use the centre, the focus is on providing ordinary people with the skills, equipment, and know-how to counter-act the propaganda of State media.
Working simultaneously as facilitators, producers and archivists, Mosireen provide both physical space where perspectives can be exchanged among active citizens, and a platform to share these perspectives with the world. Mosireen, which is a play on the Arabic words for ‘Egypt’ and ‘determination’, have been responsible for a lively programme of workshops and training opportunities for over 100 people, operating on a pay-as-you-can basis, and provide free public talks, open discussions and weekly film screenings, as well as the now renowned Tahrir Cinema. Staged in Tahrir Square, Tahrir Cinema is an open-air screening presenting revolutionary films of protests, strikes and sit-ins produced by Egyptian citizen journalists; the footage represents an alternative media that is ‘open for everyone to film, produce and interact with’. The Mosireen Collective also provide a collective workspace, which, open to all, creates a vibrant hub of production and activity, as well as editing facilities, camera and sound equipment hire and a bookable meeting room. Dedicated to providing these facilities to everyone, regardless of their level of experience, Mosireen help to build
Throughout the changing political dynamics of the past two years in Egypt, the Mosireen Collective have posted a stream of documentary footage and interviews on YouTube which attempts to articulate the varying viewpoints of the revolution. Their approach is to avoid the stereotypical or obvious representatives of society by giving a global voice to demonstrators and others active in the struggles. By organising information in this way they hope to give internet observers a deeper understanding than could otherwise be gleaned from raw footage of protests and clashes. Videos posted on their YouTube channel documents, among other incidents the massacre of 28 Coptic Christians peacefully protesting late last year outside the headquarters of state television; a brutal attack on a female protester by Egyptian soldiers two months later; and the violent breakup of a sit-in outside Parliament in February. After only four months of blogging, they had posted 97 videos and received 2,846,000 views; they had become the most viewed non-profit channel in the world that month and remain the most viewed non-profit channel in Egypt of all time.
Crucially, Mosireen are not only producers and facilitators of these dialogues, but see their role also as archivists. Documenting the revolutionary activity around them and collecting videos made by protesters, they have made available online a rich seam of footage, much of which they have painstakingly subtitled in English. Through the access that this has given to journalists around the world, Mosireen and the events they have broadcast, have been covered across the mainstream global media, from the New York Times to the Guardian, and from Al Jazeera to the BBC News.
Having successfully informed so much international media, as well as their extensive direct audiences online, the Mosireen Collective have since sought to utilise the strength of this redistribution to support the voices from other areas of conflict. They held Egypt’s first official Israeli ‘boycott, divestment and sanctions’ (BDS) event at their media centre in August, a critical first step in challenging the government’s continuing economic relations with Israel. They have since continued to show their solidarity with the Palestinian people of Gaza through video blogs. A recent video, titled ‘A Night in Gaza Under the Bombs’ reporting on disturbing and horrifying scenes in Gaza City’s main hospital amid the on-going Israeli bombardment of the Gaza Strip, has had almost 12,000 since it was posted a few weeks ago.
In December, as tens of thousands of protesters again marched to Tahrir, this time to denounce President Morsi’s recent constitutional decree, many Egyptians remain angry that the new government has failed to address the grievances of the 2011 revolution. The Mosireen Collective’s postings have once again accelerated, providing a focal point for viewers around the world as events unfold in Egypt. ‘We take risks filming just as people take risks throwing stones or carrying the wounded away from the front lines’; the Mosireen Collective don’t see their work as objective – it is of course completely subjective – but instead see it as their vital role within the on-going work of the revolution.